>>280532162
Reality check: Demon Slayer wants to be in that league. It mimics blockbuster strategies. But it doesn't have:
>the market diversification
>the long-term brand power
>or the financial stability
To actually compete there. It's cosplaying global dominance, not living it. Marvel (even in its slump) does:
>$600M-$1B+ per movie regularly
>with zero reliance on any one country
>with built-in home media, toy, game, streaming profit chains
>and nearly two decades of continuous cinematic IP generation
Demon Slayer:
>is totally Japan-dependent (90% of Mugen Train's revenue came from Japan)
>loses steam every year after Mugen Train
>has no real global merch ecosystem (unless you count niche Aniplex webstores that sell out because of limited supply, not demand)
>and will end after Sunrise Countdown, it's a time-limited IP
That's not Marvel tier, that's Fate/stay night with better animation and a stronger launch window. Also, LOL @ saying Demon Slayer is "in the same league as Anpanman." Possibly the biggest self-own imaginable.

Anpanman:
>has been running since 1988
>dominates toddlers to grandparents
>has over 30 movies released
>generates billions in merch every year
>is literally used by the Japanese government in social programs
Demon Slayer:
>will be done in 2 more arcs
>has maybe 3-4 movies total by the end
>cannot sell outside Asia at volume
>and collapsed internationally post-Mugen Train
They're not even in the same solar system, let alone the same league.

Meanwhile, MHA:
>doesn't chase IMAX or red carpets or award-season cosplay (Aniplex tried to submit Mugen Train into the Oscars and were laughed out of the building)
>quietly racks up $50M+ movie grosses for literal filler
>got a Hollywood LA with Legendary Pictures (same as Godzilla, Dune, Detective Pikachu)
>has a growing streaming and licensing footprint
>has consistent momentum without needing event gimmicks
It's not trying to be Marvel. It’s trying to be durable. And that's the key difference.

Fourth, MHA will still get a Hollywood live-action movie. Something Tatsuki Fujimoto who's the biggest Hollywoodfag in the manga industry won't get, because his coom shock slop has no actual substance. That's why Chainsaw Man lost 60% of its reader base and the ones remaining are sticking around because of sunk-cost fallacy. In other words, they're battered housewives.

Hollywood never picked Gege's slop either because just like Fujimoto, JJK has no actual substance. The whole series is carried by hype and memes, built by shock value, “aura farming”, cool one-liners, and fights beefed up in the anime. Outside of Gojo, it has not a single memorable character. Gege is a bit more talented than the other two hacks though, because he can actually draw good fights, the only thing he's good at.

Hollywood never picked up Demon Slayer because it also doesn't have a single substance. Its entire existence lives and dies by the anime, and the moment Ufotable are done stretching out what little chapter remains of a short-lived series, the franchise will die and fade off into obscurity among many other anime and manga in the weeb ghetto. There's not a single memorable character in this series and it has no crossover appeal, which is why Hollywood ignored it even when Demon Slayer wants to fit in (Aniplex tried to submit Mugen Train into the Oscars and they immediately got rejected).

MHA will outlive them all. It already did, since it effectively got Hollywood's attention and the red carpet treatment. Legendary Pictures picked it up, Shinsuke Sato is the director, Mary Parent is one of the many producers (she produced Minecraft, Dark Knight Trilogy, Godzilla and Dune). MHA outgrew anime just like One Piece, Naruto and Dragon Ball before it. Jujutsu Kaisen, Chainsaw Man and Demon Slayer are forever bound to the anime ghetto. As for Black Clover? The less we talk about that trash the better.

>>280199700
My CHADro CHADcademia is the name. Hollywood certified right next to GODgon GODall, CHADruto and GOD Piece.

Meanwhile, Tabata is stuck in his cuck shed and has to beg for anniversary arts from Hori, Kubo (hack but a very good artist) and the Demon Slayer hack (bad artist btw). And then there's poor little Fuji who's a certified cinephile but Hollywood will never pick up his chickenscratch coom slop. He's forever stuck in the weeb ghetto.