>>127148503
Very cool things going on but when the drop finally comes through, all your bass sounds are fighting each other. Its feels like a crowd of people all shoving past each other for your attention. You have a long bass shot on the 1 that extends throughout the whole bar that I feel is causing the most offense. Its not letting your 16th note stabs do what they're supposed to do. They get lost in all the chaos from your bass sounds. You have a few choices in the matter but from my own experience this could be solved by taking your bass sounds and notching out with EQ, the space on the frequency spectrum where your other bass sounds will be landing. Essentially carving out a space on the frequency for each sound to be layered on top of one another. You want to use very precise notch cuts here because you're cutting small, fundamental frequencies. And you want your cuts to mirror each other. Ex: if Bass 1 fundamental is hitting 1.5k and you cut out 1.8k because that's where Bass 2 will be hitting, then Bass 2 will notch out 1.5k

>>127148708
The Decap stuff is mainly sound design advice but I feel like theres a few very minor mixing things he can do to make space for everything without having to rewrite the melody or change the composition entirely

The voting system is fucking retarded. I haven't been able to play the new map once, not that I want to. It's Flashpoint for fucks sake. But I've already run into that problem plenty of times where the roll picks the map one or two contrarians picked. Where we could've had a quick 10 minute eichenwalde round now I have at the a 15 minute slog on fucking Samoa