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7/7/2025, 6:00:29 PM
>>149287642
If you've ever in your life interacted with an ugly black american woman then you know just how fucking detestable and insufferable they are. Ironheart's comics and the show are trying to convince you those are actually colorful and vibrant personality traits instead of massive redflags because Bendis is the kind of cuck who not only adopts kids but makes sure it's black kids he's adopting so people can ass-kiss him over how virtuous he is.
There' a reason black women are on the bottom of the deserability scale on every single dating app, even the gay ones.
If you've ever in your life interacted with an ugly black american woman then you know just how fucking detestable and insufferable they are. Ironheart's comics and the show are trying to convince you those are actually colorful and vibrant personality traits instead of massive redflags because Bendis is the kind of cuck who not only adopts kids but makes sure it's black kids he's adopting so people can ass-kiss him over how virtuous he is.
There' a reason black women are on the bottom of the deserability scale on every single dating app, even the gay ones.
7/1/2025, 9:31:20 PM
>>212229988
>>Why are gay adults “queer coding” to other people’s children in movies?!?
Per THR, multiple Pixar staffers have released a scathing report on Elio's development. Here are the key highlights:
- Pixar massively changed Elio after the original cut was test screened, and not a single person raised their hand when asked if they’d pay to see the film in a movie theater.
- A Pixar staffer says, “The Elio that is in theaters right now is far worse than Adrian’s best version of the original.”. “Suddenly, you remove this big, key piece, which is all about identity, and Elio just becomes about totally nothing,”
- The budget was “well north of 200 million”, while other reports suggest the film was 150 Million.
- Originally, Elio was written and presented to be much more queer-coded, a reflection of Adrian Molina himself and his upbringing, but this notion was cut entirely, along with scenes like photo's in Elio's room involving a male crush.
- Pixar employees say that studio executives themselves cut queer elements from ‘Elio’ and the decision did not come from Disney: “A lot of people like to blame Disney, but the call is coming from inside the house. A lot of it is obeying-in-advance behavior, coming from the higher execs at Pixar.”
- Former Pixar assistant editor Sarah Ligatich, who provided feedback during Elio production as a member of the company’s internal LGBTQ group PixPRIDE said that a number of creatives working on the film stepped down after the directors shared their first cut of the revised movie: “The exodus of talent after that cut was really indicative of how unhappy a lot of people were that they had changed and destroyed this beautiful work.”
>>CalArts looking faggot
>>Why are gay adults “queer coding” to other people’s children in movies?!?
Per THR, multiple Pixar staffers have released a scathing report on Elio's development. Here are the key highlights:
- Pixar massively changed Elio after the original cut was test screened, and not a single person raised their hand when asked if they’d pay to see the film in a movie theater.
- A Pixar staffer says, “The Elio that is in theaters right now is far worse than Adrian’s best version of the original.”. “Suddenly, you remove this big, key piece, which is all about identity, and Elio just becomes about totally nothing,”
- The budget was “well north of 200 million”, while other reports suggest the film was 150 Million.
- Originally, Elio was written and presented to be much more queer-coded, a reflection of Adrian Molina himself and his upbringing, but this notion was cut entirely, along with scenes like photo's in Elio's room involving a male crush.
- Pixar employees say that studio executives themselves cut queer elements from ‘Elio’ and the decision did not come from Disney: “A lot of people like to blame Disney, but the call is coming from inside the house. A lot of it is obeying-in-advance behavior, coming from the higher execs at Pixar.”
- Former Pixar assistant editor Sarah Ligatich, who provided feedback during Elio production as a member of the company’s internal LGBTQ group PixPRIDE said that a number of creatives working on the film stepped down after the directors shared their first cut of the revised movie: “The exodus of talent after that cut was really indicative of how unhappy a lot of people were that they had changed and destroyed this beautiful work.”
>>CalArts looking faggot
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