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7/23/2025, 7:07:36 PM
>>213016800
Lionsgate already gave him back the distribution rights, that's why he's doing the roadshow ($200 each ticket and the theatres are sold out)
Lionsgate already gave him back the distribution rights, that's why he's doing the roadshow ($200 each ticket and the theatres are sold out)
7/22/2025, 1:45:39 PM
>Coppola: "there's a longer cut of Megalopolis, with more dream sequences, which Walter Murch, Adam Driver, Guillermo del Toro and George Lucas prefer. But I prefer the theatrical cut, because it has better rhythm"
>I think that it comes down to... right now, we’re living in a moment when two at least two wonderful forms are dying, journalism and the motion picture system and when things die, it’s painful ... I am very confident that journalism will be reborn. It’s important, and cinema will continue to be reborn.
>The people who run movie studios today have one job, and that’s to make sure that they achieve their debt service. Many of the companies that exist now are in debt, and they have very highly paid executives whose job, number one, is to make sure they make their debt payment. If they don’t make their payment, they’re fired. And I think there’s a natural reaction to filmmakers being told ... they can’t make things they want to make ... They say ‘look, Francis makes what he wants.’ And the answer is ‘yeah, but it’s a flop.
>I think that it comes down to... right now, we’re living in a moment when two at least two wonderful forms are dying, journalism and the motion picture system and when things die, it’s painful ... I am very confident that journalism will be reborn. It’s important, and cinema will continue to be reborn.
>The people who run movie studios today have one job, and that’s to make sure that they achieve their debt service. Many of the companies that exist now are in debt, and they have very highly paid executives whose job, number one, is to make sure they make their debt payment. If they don’t make their payment, they’re fired. And I think there’s a natural reaction to filmmakers being told ... they can’t make things they want to make ... They say ‘look, Francis makes what he wants.’ And the answer is ‘yeah, but it’s a flop.
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