>>128318927
Answer my question without deflecting.
Why are academic elites continually pushing the idea hip hop is real music and pushing buttons on a sampler is something to be as revered as classical music composing?
Don't you see there's an agenda at play?
4chan Search
9 results for "8f9e6be1e935fd3bd45c922da96a74ba"
Academic elites worship blacks and black culture.
When jazz first became a thing the masses of Americans hated it and saw it as degenerate, but the high end literati loved it and promoted it to no end.
Starting in the 1940s the CIA launched the Congress for Cultural Freedom, a think-tank designed to channel funds into the anti-Soviet left. They funded intellectuals, musicians and artists who appeared "leftist" but were actually anti-Marxist and anti-proletarian. This included propping up hideous and meaningless modern "art" as a means of alienating the working-class from the arts and ensuring art could only be appreciated by pompous cultured elites.
https://www.youtube.com/watch?v=tD49vdreggw
There is zero doubt in my mind the CIA has been behind the rise of hip hop for this exact same reason. Hip hop is primarily an anti-working class genre of "music," made by the black lumpenproletariat AKA the criminal underclass. Marx pointed out how the lumpen are an adversary of the genuine working-class, used by the elite classes to offset class struggle. The lumpen in no way threaten the power of cultured elites, hence why they use the lumpen as a substitute revolutionary subject. The Ivory Tower loves and pushes hip hop for this exact reason. The genre is anti-worker, ugly, distorted, chaotic and promotes lumpen and elitist Nietzschean values (Kendrick Lamar is a good example of this).
Meanwhile China (a socialist nation) bans rap and gets its school children learning real music, namely classical. They don’t get kids to rap or give them MPCs to learn how to “sample” but give them actual instruments. That’s because real socialism isn’t about romanticizing the gutter but about advancing humanity.
When jazz first became a thing the masses of Americans hated it and saw it as degenerate, but the high end literati loved it and promoted it to no end.
Starting in the 1940s the CIA launched the Congress for Cultural Freedom, a think-tank designed to channel funds into the anti-Soviet left. They funded intellectuals, musicians and artists who appeared "leftist" but were actually anti-Marxist and anti-proletarian. This included propping up hideous and meaningless modern "art" as a means of alienating the working-class from the arts and ensuring art could only be appreciated by pompous cultured elites.
https://www.youtube.com/watch?v=tD49vdreggw
There is zero doubt in my mind the CIA has been behind the rise of hip hop for this exact same reason. Hip hop is primarily an anti-working class genre of "music," made by the black lumpenproletariat AKA the criminal underclass. Marx pointed out how the lumpen are an adversary of the genuine working-class, used by the elite classes to offset class struggle. The lumpen in no way threaten the power of cultured elites, hence why they use the lumpen as a substitute revolutionary subject. The Ivory Tower loves and pushes hip hop for this exact reason. The genre is anti-worker, ugly, distorted, chaotic and promotes lumpen and elitist Nietzschean values (Kendrick Lamar is a good example of this).
Meanwhile China (a socialist nation) bans rap and gets its school children learning real music, namely classical. They don’t get kids to rap or give them MPCs to learn how to “sample” but give them actual instruments. That’s because real socialism isn’t about romanticizing the gutter but about advancing humanity.
Academic elites worship blacks and black culture.
Starting in the 1940s the CIA launched the Congress for Cultural Freedom, a think-tank designed to channel funds into the anti-Soviet left. They funded intellectuals, musicians and artists who appeared "leftist" but were actually anti-Marxist and anti-proletarian. This included propping up hideous and meaningless modern "art" as a means of alienating the working-class from the arts and ensuring art could only be appreciated by pompous cultured elites.
https://www.youtube.com/watch?v=tD49vdreggw
There is zero doubt in my mind the CIA has been behind the rise of hip hop for this exact same reason. Hip hop is primarily an anti-working class genre of "music," made by the black lumpenproletariat AKA the criminal underclass. Marx pointed out how the lumpen are an adversary of the genuine working-class, used by the elite classes to offset class struggle. The lumpen in no way threaten the power of cultured elites, hence why they use the lumpen as a substitute revolutionary subject. The Ivory Tower loves and pushes hip hop for this exact reason. The genre is anti-worker, ugly, distorted, chaotic and promotes lumpen (criminal underclass) and elitist Nietzschean values. (Kendrick Lamar is a good example of this.)
Starting in the 1940s the CIA launched the Congress for Cultural Freedom, a think-tank designed to channel funds into the anti-Soviet left. They funded intellectuals, musicians and artists who appeared "leftist" but were actually anti-Marxist and anti-proletarian. This included propping up hideous and meaningless modern "art" as a means of alienating the working-class from the arts and ensuring art could only be appreciated by pompous cultured elites.
https://www.youtube.com/watch?v=tD49vdreggw
There is zero doubt in my mind the CIA has been behind the rise of hip hop for this exact same reason. Hip hop is primarily an anti-working class genre of "music," made by the black lumpenproletariat AKA the criminal underclass. Marx pointed out how the lumpen are an adversary of the genuine working-class, used by the elite classes to offset class struggle. The lumpen in no way threaten the power of cultured elites, hence why they use the lumpen as a substitute revolutionary subject. The Ivory Tower loves and pushes hip hop for this exact reason. The genre is anti-worker, ugly, distorted, chaotic and promotes lumpen (criminal underclass) and elitist Nietzschean values. (Kendrick Lamar is a good example of this.)
Academic elites worship blacks and black culture.
Starting in the 1940s the CIA launched the Congress for Cultural Freedom, a think-tank designed to channel funds into the anti-Soviet left. They funded intellectuals, musicians and artists who appeared "leftist" but were actually anti-Marxist and anti-proletarian. This included propping up hideous and meaningless modern "art" as a means of alienating the working-class from the arts and ensuring art could only be appreciated by pompous cultured elites.
https://www.youtube.com/watch?v=tD49vdreggw
There is zero doubt in my mind the CIA has been behind the rise of hip hop for this exact same reason. Hip hop is primarily an anti-working class genre of "music," made by the black lumpenproletariat AKA the criminal underclass. Marx pointed out how the lumpen are an adversary of the genuine working-class, used by the elite classes to offset class struggle. The lumpen in no way threaten the power of cultured elites, hence why they use the lumpen as a substitute revolutionary subject. The Ivory Tower loves and pushes hip hop for this exact reason. The genre is anti-worker, ugly, distorted, chaotic and promotes lumpen (criminal underclass) and elitist Nietzschean values. (Kendrick Lamar is a good example of this.)
Starting in the 1940s the CIA launched the Congress for Cultural Freedom, a think-tank designed to channel funds into the anti-Soviet left. They funded intellectuals, musicians and artists who appeared "leftist" but were actually anti-Marxist and anti-proletarian. This included propping up hideous and meaningless modern "art" as a means of alienating the working-class from the arts and ensuring art could only be appreciated by pompous cultured elites.
https://www.youtube.com/watch?v=tD49vdreggw
There is zero doubt in my mind the CIA has been behind the rise of hip hop for this exact same reason. Hip hop is primarily an anti-working class genre of "music," made by the black lumpenproletariat AKA the criminal underclass. Marx pointed out how the lumpen are an adversary of the genuine working-class, used by the elite classes to offset class struggle. The lumpen in no way threaten the power of cultured elites, hence why they use the lumpen as a substitute revolutionary subject. The Ivory Tower loves and pushes hip hop for this exact reason. The genre is anti-worker, ugly, distorted, chaotic and promotes lumpen (criminal underclass) and elitist Nietzschean values. (Kendrick Lamar is a good example of this.)
I shouldn't need a PhD to understand why your music is "good."
>>127665419
You might want to read picrel.
>>127666680
Funny enough, his mother just made a video for Save The Music where she talked about how much he loved playing classical music in school.
You might want to read picrel.
>>127666680
Funny enough, his mother just made a video for Save The Music where she talked about how much he loved playing classical music in school.
Academic elites love hip hop and force it on everyone.
It’s exactly the same story with jazz. When jazz first became a thing the masses of Americans hated it and saw it as degenerate, but the high end literati loved it and promoted it to no end.
In the 1940s the CIA launched the Congress for Cultural Freedom, a think-tank designed to channel funds into the anti-Soviet left. They funded artists who appeared "leftist" but were actually anti-Marxist and anti-proletarian. This included propping up hideous and meaningless modern "art" as a means of alienating the working-class from the arts and ensuring art could only be appreciated by pompous cultured elites.
https://www.youtube.com/watch?v=tD49vdreggw
The CIA has been behind the rise of rap for this exact same reason. Hip hop is primarily an anti-working class genre of "music" made by the black lumpenproletariat AKA the criminal underclass. Marx pointed out how the lumpen are an adversary of the genuine working-class, used by the elite to offset class struggle. The lumpen in no way threaten the power of cultured elites, hence why they use the lumpen as a substitute revolutionary subject. The Ivory Tower loves hip hop for this exact reason: they push ugly lumpen music to demoralize and alienate the working-class from the arts. Rap is disoriented, promotes elite values and creates a sense of nihilism in its listeners. When you are surrounded by ugly you see the world as nothing but ugliness and lose all faith in your fellow man.
Rappers and hip hop producers now get their albums hailed as the greatest ever made, have music theory books written about them with their "music" taught in universities and win loads of awards. Artists who make music that speaks to the values of the proletariat don’t get anything close to those levels of accolades.
It’s exactly the same story with jazz. When jazz first became a thing the masses of Americans hated it and saw it as degenerate, but the high end literati loved it and promoted it to no end.
In the 1940s the CIA launched the Congress for Cultural Freedom, a think-tank designed to channel funds into the anti-Soviet left. They funded artists who appeared "leftist" but were actually anti-Marxist and anti-proletarian. This included propping up hideous and meaningless modern "art" as a means of alienating the working-class from the arts and ensuring art could only be appreciated by pompous cultured elites.
https://www.youtube.com/watch?v=tD49vdreggw
The CIA has been behind the rise of rap for this exact same reason. Hip hop is primarily an anti-working class genre of "music" made by the black lumpenproletariat AKA the criminal underclass. Marx pointed out how the lumpen are an adversary of the genuine working-class, used by the elite to offset class struggle. The lumpen in no way threaten the power of cultured elites, hence why they use the lumpen as a substitute revolutionary subject. The Ivory Tower loves hip hop for this exact reason: they push ugly lumpen music to demoralize and alienate the working-class from the arts. Rap is disoriented, promotes elite values and creates a sense of nihilism in its listeners. When you are surrounded by ugly you see the world as nothing but ugliness and lose all faith in your fellow man.
Rappers and hip hop producers now get their albums hailed as the greatest ever made, have music theory books written about them with their "music" taught in universities and win loads of awards. Artists who make music that speaks to the values of the proletariat don’t get anything close to those levels of accolades.
Modern music is made to be ugly.
The ugly stuff gets promoted because it creates a sense of disjointedness, confusion, and resentment in society.
https://www.youtube.com/watch?v=tD49vdreggw
The ugly stuff gets promoted because it creates a sense of disjointedness, confusion, and resentment in society.
https://www.youtube.com/watch?v=tD49vdreggw
>>126713375
>I also remember watching a clip where Jaguar Wright said half of hip hop is autistic and I questioned if it was really that low. I’m guessing at least 75-80% of rappers and hip hop producers are autistic (Kanye, Eminem, and Questlove come to mind).
Can't say about others, but after reading picrel I'm fully convinced your favourite producer's favourite producer was a full-blown Aspie. He showed numerous, numerous signs. Numerous.
>I also remember watching a clip where Jaguar Wright said half of hip hop is autistic and I questioned if it was really that low. I’m guessing at least 75-80% of rappers and hip hop producers are autistic (Kanye, Eminem, and Questlove come to mind).
Can't say about others, but after reading picrel I'm fully convinced your favourite producer's favourite producer was a full-blown Aspie. He showed numerous, numerous signs. Numerous.