>>212331339
Let's make up our own film theory ITT
imagine you were trying to draw a sort of gantt chart of a movie's progression by having the run time as the x axis and the rows of the y axis labelled as types of scenes/sequences, one or more of which is filled, as applicable, for any given instant of runtime.
Now you have your basic types of scenes and you have subdivisions within those. I'll write some down and you guys can come up with some more or how you would reorganize them.
Remember a given scene can be colored in as one or more of any of these including multiple subcategories within one category, as needed,
Action scenes: scenes displaying intricate actor motion and/or lots of cuts and quick camera movements, subcategorized by acrobatics/parkour, shooting, brawling (hand to hand, martial arts, knives and swords all included), sex, chase
Visual spectacles: scenes with little to no dialogue and maybe dramatic music, still camera or large sweeping motions or zooming in or out typical, subcategorized by natural, urban, CGI/fantastical, indoors, fanservice (strippers or lead actress showering or protagonist cleaning and loading guns or whatever), still life/setpiece focused (including long establishing shots that switch focus between a person or people and an object in the foreground/background), introductions (shots of various parts of a set, town, etc before the actual movie or scene begins to establish a "vibe")
Montages: Any sort of timelapse/summary scene, subcategories: training arc (includes studying/investigation), travel arc/lapse, action arc (something from action scenes like brawling or sex but in a montage style rather than one continuous and related scene), character study (various elements from the life or situation of a character collated for brevity), abstract (discrete elements from different things brought together in a non-narrative fashion to create a "vibe" or evoke mixed emotions in the viewer)
