>>213319834>But the only blowback they get is a kid being rude to the rockman on the street, and like 200 protesters outside their house. How is the entire world not breaking down their doors at this point? It's been months. It makes the entire world they're fighting to save feel like a background set filled with NPCs, which makes the stakes of it being destroyed feel inconsequential.I felt like this was because the people in the film are supposed to be representative of an optimistic age and not a pessimistic one like we live in.
Remember at one point in time, citizens had trust that their government had their own best interests in mind or that it could and would keep them safe from threats.
The films world made me believe the people of that earth were likely just better human beings overall than the ones in ours and wouldn't react the way we would in crisis. It felt like the world was still capable of a hopeful optimism or trust in its heroes.
Again, like you said before, this is the logic we accept in comic books *especially* dated ones from the past. That's why I accepted it and felt it was appropriate for the movies tone.
However, I don't think any of your criticisms are baseless, I just didn't have the same problems with the movie and we can agree to disagree.
I agree the cosmic scenes were particularly interesting but I really wanted more of a colorful color palette for the final showdown and would have been disappointed if it all stayed in space.
My favorite parts of Superman were the fortress of solitude scenes and the Kaiju fight in Metropolis, I was actually enjoying it at that point. When the pocket dimension got introduced and the military base scenes happened, I was checking out.
All a matter of a personal taste, I suppose though.