>>213709645
you just don't get how deep it is, this means like Prometheus and all that Greek shit, I never read any of it but I tell others they have to so I sound smarter, like Prometheus was a guy and he was mad at someone probably, so that's what we call an "allusion" which is like an illusion but it's spelled with an a like apple, another thing that had an apple was the Bible, and that's another allusion, I've never read that either but it's a pretty big deal so allusions to the Bible are really deep you know, so anyway, this is all symbolizing the very deep moral struggle, his cape is like straight so that's like the line thing around a painting, you know, the doorway but for paintings, whatever it's called, and paintings are really deep, and this is like those, I have a few artbooks I've saved the names of to post and say you have to peruse this to understand the movie, I don't know much about them but I bet they're pretty deep, and also the desert is really flat here, which is like Krypton being gone, it's like flat, lined, lined, see like the lined painting thing I said above, and also like flatlined like dead people, that's a play on words see, it's clever, only Snyder could think of playing on words, he invented the camera, and if you think about how Superman is standing up here, it's like he's standing up in a philosophical way, like the way those statues of famous guys with Greek names stand up, there's like books with their names and that makes it really meaningful, see no other movie out there can do this kind of deep underlying message in every frame. Frame, that's it, the painting doorway, it's a frame. So like frame is the real meaning here. Frames are straight. Pluto was a Greek guy that wrote about lighting fires in caves. I know that one. He wrote that fire is like man's hubris and putting it in a cave is like a house. Fire like Krypton when it blew up, there was loads of fire. And in Metropolis, you didn't get it, but all the fire was mankind.
