Anonymous
8/21/2025, 7:29:15 AM No.213869526
>NOOOO YOU CAN'T MAKE FUN OF BLM PROTESTERS AND ANTIFA IN YOUR MODERN WESTERN TRAGICOMEDY NOOOOO
Why are leftists like this?
Why are leftists like this?
Replies:
Thread 213869526 - /tv/ [Archived: 155 hours ago]
Anonymous
8/21/2025, 7:33:55 AM No.213869596
is the torrent out yet?
otherwise I don't care
otherwise I don't care
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Anonymous
8/21/2025, 7:36:46 AM No.213869647
>makes fun of chuds and right wingers even harder
Yet I still enjoyed it
Yet I still enjoyed it
Anonymous
8/21/2025, 9:25:59 AM No.213871400
>>213869526 (OP)
This shit made me lmao, I just couldn't believe. That and the ending... We made it into the big screens again, guys!
This shit made me lmao, I just couldn't believe. That and the ending... We made it into the big screens again, guys!
Anonymous
8/21/2025, 9:27:34 AM No.213871426
Just Skip It
8/21/2025, 9:45:29 AM No.213871684
>>213869526 (OP)
>According to Scorsese, Aster “dives right into the side of American life that many people can’t bear to look at or even acknowledge — no one wants to listen to anyone else, which is frightening.” Such soft-headed thinking could also be applied to Killers of the Flower Moon, Scorsese’s own shaming of America’s social rot and systemic racism. That was Scorsese’s first politically pointed movie, conceived during Covid’s national insecurity. But Eddington is equally out of touch; it’s just another overblown Aster horror show (Beau Is Afraid, Part 2) and, because of its violent excess, of little significance. Eddington is so solemnly goofy that its vision of polarized America might as well not be a satire. Scorsese’s praise sounds significant, but by leaving out the word “exploitation,” it’s his political cop-out.
>Scorsese and the coterie of reviewers who praise Eddington don’t seem to realize that they’re issuing cultural mandates, just like the arrogant media elites who pushed the Covid-19 crisis and whom we can no longer trust. The Los Angeles Times raved, “If we’re cackling at ourselves together in the theater, we’re less alone.” But that’s the same leftist, “we’re-all-in-this-together,” Move On malarkey that made the Covid years so infuriating. (That L.A. Times reviewer calls Aster’s mention of Antifa mere “innuendo,” as if the violent organization didn’t exist.)
https://www.nationalreview.com/2025/07/eddington-sensationalizes-american-panic/
>According to Scorsese, Aster “dives right into the side of American life that many people can’t bear to look at or even acknowledge — no one wants to listen to anyone else, which is frightening.” Such soft-headed thinking could also be applied to Killers of the Flower Moon, Scorsese’s own shaming of America’s social rot and systemic racism. That was Scorsese’s first politically pointed movie, conceived during Covid’s national insecurity. But Eddington is equally out of touch; it’s just another overblown Aster horror show (Beau Is Afraid, Part 2) and, because of its violent excess, of little significance. Eddington is so solemnly goofy that its vision of polarized America might as well not be a satire. Scorsese’s praise sounds significant, but by leaving out the word “exploitation,” it’s his political cop-out.
>Scorsese and the coterie of reviewers who praise Eddington don’t seem to realize that they’re issuing cultural mandates, just like the arrogant media elites who pushed the Covid-19 crisis and whom we can no longer trust. The Los Angeles Times raved, “If we’re cackling at ourselves together in the theater, we’re less alone.” But that’s the same leftist, “we’re-all-in-this-together,” Move On malarkey that made the Covid years so infuriating. (That L.A. Times reviewer calls Aster’s mention of Antifa mere “innuendo,” as if the violent organization didn’t exist.)
https://www.nationalreview.com/2025/07/eddington-sensationalizes-american-panic/
Replies:
Anonymous
8/21/2025, 9:53:42 AM No.213871800
>>213871684
>Shits on Weapons, a movie about a weirdo subverting a peaceful community
>Praises pedo Polanski's movie about muh Dreyfuss affair
>Complains about critics preferring a heterosexual over a homosexual in another review, quote: "When the gatekeepers of film culture changed during the Nineties — from cineastes to opportunists — France’s postmodern humanist filmmaker André Téchiné always had to battle it out with a lesser contemporary, Olivier Assayas, who, being younger, heterosexual, and solipsistic, became a festival-circuit favorite."
Imagine still listening to this pretentious sodomite retard.
>Shits on Weapons, a movie about a weirdo subverting a peaceful community
>Praises pedo Polanski's movie about muh Dreyfuss affair
>Complains about critics preferring a heterosexual over a homosexual in another review, quote: "When the gatekeepers of film culture changed during the Nineties — from cineastes to opportunists — France’s postmodern humanist filmmaker André Téchiné always had to battle it out with a lesser contemporary, Olivier Assayas, who, being younger, heterosexual, and solipsistic, became a festival-circuit favorite."
Imagine still listening to this pretentious sodomite retard.
Replies:
Anonymous
8/21/2025, 10:14:49 AM No.213872080
>>213869526 (OP)
filtered
I didn't expect this, 28 years later and weapons to end up being the pleb filters of the year.
filtered
I didn't expect this, 28 years later and weapons to end up being the pleb filters of the year.
Just Skip It
8/21/2025, 11:57:40 AM No.213873416
>>213871800
Dang you a triggered dumdum aintcha
Dang you a triggered dumdum aintcha