Anonymous
8/23/2025, 10:15:10 PM
No.213946174
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John Carter
What went wrong?
>There were no true mishaps. It was based on a beloved and highly influential property, created by craftspeople at the top of their game, led by a director whose previous films were runaway successes. The simple, sought-after narrative of “what went wrong” quickly falls apart. Or is at the very least obscured. And because of that, it makes telling the story of what happened much more complicated.
>TheWrap talked to a half-dozen creative principals involved with “John Carter” for this story, conducting exclusive interviews with co-writer/director Andrew Stanton, writer Michael Chabon, cinematographer Dan Mindel, and performers Willem Dafoe and the Princess of Mars herself, Lynn Collins. (Disney was unable to accommodate TheWrap’s request for additional interviews with personnel still at Pixar.)
>What emerges is a story of a filmmaker making the uneasy transition from animation to live-action, an unorthodox shooting schedule that left some cast members lost, a flawed and confounding marketing campaign, and how shifting corporate allegiances and mandates left a $307 million adventure, meant to start a franchise and based on beloved source material essentially marooned.
>And while Stanton was determined to cast Kitsch, he and his producers still continued to consider other actors for the part. One of the actors in the running for this new version of John Carter was a performer familiar with the property – Tom Cruise.
Cruise unexpectedly reemerged, hungry for the role he was once set to play. According to someone close to the production, Cruise actively campaigned for the job.
>There were no true mishaps. It was based on a beloved and highly influential property, created by craftspeople at the top of their game, led by a director whose previous films were runaway successes. The simple, sought-after narrative of “what went wrong” quickly falls apart. Or is at the very least obscured. And because of that, it makes telling the story of what happened much more complicated.
>TheWrap talked to a half-dozen creative principals involved with “John Carter” for this story, conducting exclusive interviews with co-writer/director Andrew Stanton, writer Michael Chabon, cinematographer Dan Mindel, and performers Willem Dafoe and the Princess of Mars herself, Lynn Collins. (Disney was unable to accommodate TheWrap’s request for additional interviews with personnel still at Pixar.)
>What emerges is a story of a filmmaker making the uneasy transition from animation to live-action, an unorthodox shooting schedule that left some cast members lost, a flawed and confounding marketing campaign, and how shifting corporate allegiances and mandates left a $307 million adventure, meant to start a franchise and based on beloved source material essentially marooned.
>And while Stanton was determined to cast Kitsch, he and his producers still continued to consider other actors for the part. One of the actors in the running for this new version of John Carter was a performer familiar with the property – Tom Cruise.
Cruise unexpectedly reemerged, hungry for the role he was once set to play. According to someone close to the production, Cruise actively campaigned for the job.