What's the most important thing in any fanventure?

>>716256749
wasn't it political activist groups that whined to said corporations first.

Like if Visa and Mastercard were actually like a cyberpunk corporation they wouldn't give a shit about whats being bought and sold as long as they get their cut. They'd peddle way more degenerate shit.

but we're not living in the corporate cyberpunk future.
We are living in the gay and retarded future, where everybody is hypertuned on the loudest screeching banshees just to make sure they never ever do a heckin sexisterino. Sure they are a bottleneck in payment processing, which is like modern day control over a digital suez canal, but I'm telling you this isn't the same.

What CYOAs are we missing? What's the "next big thing"?

If you have a tabletop game based on multiple universes colliding and coming through portals into the real world; how do you make the disparate elements of these realms and realities interesting and unique without it seeming just like crossover slop or having the strangeness fade into the background?

I'm trying to do a post-apocalypse sort of gonzo setting with STALKER anomolies and weird beings from other worlds, but not in a retarded way, unlike RIFTS.