>Outcast/loner/loser character gets powers
>Is somehow stronger than the MC, despite zero training or understanding of their new found gift
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3 results for "fc827e9d39cde6dfc6adddc3b6f37fda"
>>150237558
And I wish she told the fucking writers to create characters that weren't massive, moody, temperamental assholes who need therapy.
In general, I think she's a great artist, but terrible at running a team. She was the boss, right? And even then, she couldn't keep her artists to stay on model, so they fucked that up, too.
And I wish she told the fucking writers to create characters that weren't massive, moody, temperamental assholes who need therapy.
In general, I think she's a great artist, but terrible at running a team. She was the boss, right? And even then, she couldn't keep her artists to stay on model, so they fucked that up, too.
>>149067494
Genndy Tartakovsky only ever hits a wall when he's dealing with time paradoxes, and Unicorn was his most ambitious cartoon yet from a narrative standpoint. I'm all for the guy getting to make more original ideas rather than digging up his past projects, but he just needs to work to his strengths (action, tonal suspense, slapstick humor, etc.) and try COLLABORATING with seasoned writers who can actually make sense of his vague concepts if they're any more convoluted than your typical "cat & mouse chase."
Genndy Tartakovsky only ever hits a wall when he's dealing with time paradoxes, and Unicorn was his most ambitious cartoon yet from a narrative standpoint. I'm all for the guy getting to make more original ideas rather than digging up his past projects, but he just needs to work to his strengths (action, tonal suspense, slapstick humor, etc.) and try COLLABORATING with seasoned writers who can actually make sense of his vague concepts if they're any more convoluted than your typical "cat & mouse chase."