Why does German music besides Wagner, some Beethoven and Bach lack any sense of passion and sensuous feeling to it? Every time I listen to music like Brahms, Bruckner, Mahler Schumann, or Haydn I get the ick. The Surprise symphony, Schumann's simp songs or Brahms incel chamber music, they all sound like they've been written by men who never touched a woman or had them desire them. Compare this to Bach, Marais, Franck, or Faure, all of whose music has an understated sexual feeling to it, a restraint of it, or a memory of an encounter. I don't get this with the Germans at all, it seems like the lack of sexual encounters have made their music so irresolute, isolating, and will ostracize anyone who likes to have sex. The French and Italians don't have this issue for obvious reasons.

Why do G*rmans make such icky music /classical/?

Why does German music besides Wagner, some Beethoven and Bach lack any sense of passion and sensuous feeling to it? Every time I listen to music like Brahms, Bruckner, Mahler Schumann, or Haydn I get the ick. The Surprise symphony, Schumann's simp songs or Brahms incel chamber music, they all sound like they've been written by men who never touched a woman or had them desire them. Compare this to Bach, Marais, Franck, or Faure, all of whose music has an understated sexual feeling to it, a restraint of it, or a memory of an encounter. I don't get this with the Germans at all, it seems like the lack of sexual encounters have made their music so irresolute, isolating, and will ostracize anyone who likes to have sex. The French and Italians don't have this issue for obvious reasons.

Why do G*rmans make such icky music /classical/?

Why does German music besides Wagner, some Beethoven and Bach lack any sense of passion and sensuous feeling to it? Every time I listen to music like Brahms, Bruckner, Mahler Schumann, or Haydn I get the ick. The Surprise symphony, Schumann's simp songs or Brahms incel chamber music, they all sound like they've been written by men who never touched a woman or had them desire them. Compare this to Bach, Marais, Franck, or Faure, all of whose music has an understated sexual feeling to it, a restraint of it, or a memory of an encounter. I don't get this with the Germans at all, it seems like the lack of sexual encounters have made their music so irresolute, isolating, and will ostracize anyone who likes to have sex. The French and Italians don't have this issue for obvious reasons.

Why do G*rmans make such icky music /classical/?