>>215285182
90s are absolutely getting fanwanked and nostalgia'd. Even the 2000s are to a lesser extent (I'll bet more people know what Frutiger Aero is today than in the actual 2000s). The problem is that they coexist with 80s nostalgia, ehich hasn't really gone anywhere or fallen out of style. The real issue is "Things didn't get worse, you just got old" stopped being true when the 2010s hit. No, no this time the past was just objectively better. We are at the point where people born in the 2010s, after this era was already over, long for it. The flat Talmudic artstyle we call Corporate Memphis was not made by artists, it was derived from preexisting styles sure (that I found ugly as piss even in then desu, having that ugly café logo staring down at me was the worst part of swimming in the Mandalay Bay swimming pool as a kid. I wish Paddock had shot that ugly fucking sign while he was up there) but it wss pulled by psychologists, PR managers, "diversity" consultants, and double circumcised rabbis, to be as widely appealing and inoffensive as possible. It's not an organic art movement, it was astroturfed by kikes. That's why no one likes it. Its popularity is botted at the institutional level. Sll other artstyles are wiped out everywhere it goes because it is so ugly, people need to be denied alternatives to win. People choose Corporate Memphis because Corporate Memphis doesn't allow anyone else to compete, it's forced by big money to not offend any potential customers and not make fat people and ugly people feel bad for looking fat and ugly because in Corporate Memphis, everyone looks fat and ugly.
But as we all know, anything made to appeal to everyone appeals to no one.
