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9 results for "3bfa450362a563f8af80733f90bf66d7"
vtubers shouldn't show anything.
off the top of my head:
>fester
Moriyafag
>kaiser
Marisafag
>yoyo
Kaisenfag
>cirnowalkaz (or whatever his name is)
Cirnofag
>nabana
Cirnofag
how about the other racers?
>fester
Moriyafag
>kaiser
Marisafag
>yoyo
Kaisenfag
>cirnowalkaz (or whatever his name is)
Cirnofag
>nabana
Cirnofag
how about the other racers?
>>216124432
gibt fächer mit abbruchquoten auf mint lvl, nix mit easy und laberfach
gibt fächer mit abbruchquoten auf mint lvl, nix mit easy und laberfach
>>283173830
>>283175304
BJJ fighters receive training to handle knife-wielders, any real BJJ practictioner, even women
>I'd say ESPECIALLY WOMEN
would go condition zero on that guy when he pulls a knife on them. the author knows JACK SHIT about martial arts and it shows
>>283175304
BJJ fighters receive training to handle knife-wielders, any real BJJ practictioner, even women
>I'd say ESPECIALLY WOMEN
would go condition zero on that guy when he pulls a knife on them. the author knows JACK SHIT about martial arts and it shows
>>214623400
du redest mit nem migrant. deswegen ist es ihm auch egal
du redest mit nem migrant. deswegen ist es ihm auch egal
>>538250023
you will be much happier and have much more fun if you put sincere effort into the game instead of trying to phone it in from minute 1 and then inevitably mope when the game fucks you
also now that you can change ascendancies it's literally impossible to brick in poe2, the closest you can come is picking the mana regen buff in act 3 for a build with no mana
that being said strength stacking is how corrupting cry builds mostly scale
you will be much happier and have much more fun if you put sincere effort into the game instead of trying to phone it in from minute 1 and then inevitably mope when the game fucks you
also now that you can change ascendancies it's literally impossible to brick in poe2, the closest you can come is picking the mana regen buff in act 3 for a build with no mana
that being said strength stacking is how corrupting cry builds mostly scale
>>213088539
>>213088608
>>213088615
I don't know how they actually did it, but if I had to fake this without watching any production footage, I'd do two shots:
first with a vertical ladder at a 45 degree slope downward, so you could still climb down it and can still nevertheless stand up upon dismounting it, and you'd be standing at a 45 degree angle. The camera would be on a medal rack to hold it up, rotated at about a 90 degree angle.
You have the actor walk up down the hill, then up the opposite hill till he's occluded by the central column. As they cross about 90 degrees of the room, they're always being able to stand.
You composite the first shot parent-trap style with a second shot, which runs continuously throughout the first shot. You put this shot on the left side of the occlusion center column, and to film it you put the camera shot vertically above from a crane at the top of a similar doughnut.
The first shot ends when the actor walks behind the column, and the second shot has the actor enter frame at an appropriate cue so it looks like they walked from one side of the doughnut to the other: giving the illusion that two shots are one.
Total cost would be two half doughnut sets, a camera crane that supports rotation and significant height as needed, and the editor to composite the two shots.
>>213088608
>>213088615
I don't know how they actually did it, but if I had to fake this without watching any production footage, I'd do two shots:
first with a vertical ladder at a 45 degree slope downward, so you could still climb down it and can still nevertheless stand up upon dismounting it, and you'd be standing at a 45 degree angle. The camera would be on a medal rack to hold it up, rotated at about a 90 degree angle.
You have the actor walk up down the hill, then up the opposite hill till he's occluded by the central column. As they cross about 90 degrees of the room, they're always being able to stand.
You composite the first shot parent-trap style with a second shot, which runs continuously throughout the first shot. You put this shot on the left side of the occlusion center column, and to film it you put the camera shot vertically above from a crane at the top of a similar doughnut.
The first shot ends when the actor walks behind the column, and the second shot has the actor enter frame at an appropriate cue so it looks like they walked from one side of the doughnut to the other: giving the illusion that two shots are one.
Total cost would be two half doughnut sets, a camera crane that supports rotation and significant height as needed, and the editor to composite the two shots.