>>213338887
There can be no classics after cinema finalized the split between art film and commercial jointmaking somewhere in the 60s. The last American classics are Point Blank - signifying the death of noir and jerking off abstract editing of Resnais; Bonnie and Clyde - signifying the death of gangster film and incorporating discontinuous editing and youthful rebellion of FNW; and The Wild Bunch - lamenting the death of western with the desperate madness of Eisenstenian montage. Every "classic" that followed is genre slop.
Also
>Suspiria
>arthouse
pic very much related