Search Results
7/22/2025, 12:53:47 AM
>>81911464
fair enough
>>81911480
what's been going on since i left to eat dinner, wtf?
>>81911497
i've imagined i could fly anywhere. are you just referring to the process of having wings sprout out your back, anon?
fair enough
>>81911480
what's been going on since i left to eat dinner, wtf?
>>81911497
i've imagined i could fly anywhere. are you just referring to the process of having wings sprout out your back, anon?
7/18/2025, 5:32:31 AM
7/17/2025, 6:37:07 AM
The Price of Knowing
>"To know is a sign that you are highly intelligent, unfortunately."
Knowing makes you a threat to the system.
Knowing makes you uncomfortable to others.
Knowing makes you unable to play the game.
Knowing makes you question everything including yourself. Knowing makes you want to change things and that’s where the real madness begins.
There is no one in charge. No one is coming to fix it. No benevolent force is going to intervene.
Just you. And your clarity. And your rage. And your understanding of what’s really happening.
You’re not cursed. You’re just awake.
And being awake in a world of sleepwalkers?Yeah. It feels like a punishment. But it’s also a gift. Because only those who see can choose to act. Even if it’s only in thought. Even if it’s only in truth.
And maybe, just maybe — that’s enough.
For now.
>"To know is a sign that you are highly intelligent, unfortunately."
Knowing makes you a threat to the system.
Knowing makes you uncomfortable to others.
Knowing makes you unable to play the game.
Knowing makes you question everything including yourself. Knowing makes you want to change things and that’s where the real madness begins.
There is no one in charge. No one is coming to fix it. No benevolent force is going to intervene.
Just you. And your clarity. And your rage. And your understanding of what’s really happening.
You’re not cursed. You’re just awake.
And being awake in a world of sleepwalkers?Yeah. It feels like a punishment. But it’s also a gift. Because only those who see can choose to act. Even if it’s only in thought. Even if it’s only in truth.
And maybe, just maybe — that’s enough.
For now.
7/13/2025, 4:02:50 PM
>Nick got out of the game and is happy with his dancer gf
>meanwhile we're still here
>waiting
>meanwhile we're still here
>waiting
7/12/2025, 4:38:22 AM
7/10/2025, 2:20:48 PM
>>509999847
I assure you that you are low IQ. It's okay as not everyone has a high one. But you should definitely question if that kid is even yours. Good luck fren.
I assure you that you are low IQ. It's okay as not everyone has a high one. But you should definitely question if that kid is even yours. Good luck fren.
7/10/2025, 1:51:45 AM
>>212529696
once a year...when the burdens of life eventually wear me down too much, like butter scraped over too much bread, one could say. lotr restores my sovl.
once a year...when the burdens of life eventually wear me down too much, like butter scraped over too much bread, one could say. lotr restores my sovl.
7/9/2025, 3:32:43 PM
>>714945653
>>714962724
If I had more money, I would buy a couple of acres of land and build a tiny home just as a place to go and get away for a bit.
I really regret not biting the bullet on a small loft cabin someone was selling for $18k. It was smaller than my first apartment and needed a bit of work, but it was right outside a small coastal town near the mountains. The perfect place to spend the summer and maybe a bit of the fall in.
>>714962724
If I had more money, I would buy a couple of acres of land and build a tiny home just as a place to go and get away for a bit.
I really regret not biting the bullet on a small loft cabin someone was selling for $18k. It was smaller than my first apartment and needed a bit of work, but it was right outside a small coastal town near the mountains. The perfect place to spend the summer and maybe a bit of the fall in.
7/5/2025, 1:49:35 PM
7/2/2025, 9:41:34 PM
>>936548164
>aorist tense
"He opened the door" (aorist) versus "He was opening the door" (imperfect) or "He has opened the door" (perfect).
>aorist tense
"He opened the door" (aorist) versus "He was opening the door" (imperfect) or "He has opened the door" (perfect).
7/2/2025, 12:42:21 PM
>>212259183
Yes.
Finishing up Sopranos season 2 rewatch then I'll get back to the end of X-Files season 1. ty for reading my watchblog
Yes.
Finishing up Sopranos season 2 rewatch then I'll get back to the end of X-Files season 1. ty for reading my watchblog
7/1/2025, 2:58:01 PM
>le sad pretty french girl
6/28/2025, 3:57:38 AM
>>713853096
why can't she be mine
why can't she be mine
6/22/2025, 4:21:23 PM
6/19/2025, 5:50:06 AM
6/18/2025, 3:38:01 AM
>>712951528
>The question the game asks about whether painted people are "real" is entirely about what it means for any of the characters to be "real".
The game barely at all even entertains the idea of if the painted people are "real" or not. It says, time after time, that they are. Clea and Verso would regularly come by and play with Francois and Esquie; Francois's grief turned rage at Clea's absence has all the conscious, emotional impact of painted Renoir's at having lost his family. Real Renoir addresses Verso and the others as real people. Gustave impacted Maelle no less after she received Alicia's memories. The painters are creators, wholly able to create beings that are fuller than they could imagine (Maelle brought back Sciel and Lune, who later showed they knew things about themselves Maelle did not).
Notice, too, how no character in the game has a shadow of an existential crises once the truth of the world is revealed. They all concern themselves only with revenge and bringing back their loved ones. Even Verso, a copy of a dead man, is only troubled for having lived so long, having seen so many deaths, having killed so many innocents. "I don't want this life" is an affirmation that he does have a life. What is on Verso's tombstone? Forever painted in our hearts. There is no distinction.
What it is about is endless cycles of grief. Verso burned alive to save Alicia, causing Aline to live in his portrait to avoid letting him go. Renoir doesn't want to lose her too, so goes after her, destroying the only piece of Verso left in the process and forever alienating Alicia and Aline, while Clea fights some ambiguous war that will only bring more destruction to them. The real question is: how does one overcome tragedy? As Monoco, to carry pieces of the dead into the future changed but resembling? to lash out, as Francois yearns for Clea? to avenge brutishly, as Maelle for Gustave, Clea for Verso? to annihilate all remnants of the past, as Renoir for Verso?
>The question the game asks about whether painted people are "real" is entirely about what it means for any of the characters to be "real".
The game barely at all even entertains the idea of if the painted people are "real" or not. It says, time after time, that they are. Clea and Verso would regularly come by and play with Francois and Esquie; Francois's grief turned rage at Clea's absence has all the conscious, emotional impact of painted Renoir's at having lost his family. Real Renoir addresses Verso and the others as real people. Gustave impacted Maelle no less after she received Alicia's memories. The painters are creators, wholly able to create beings that are fuller than they could imagine (Maelle brought back Sciel and Lune, who later showed they knew things about themselves Maelle did not).
Notice, too, how no character in the game has a shadow of an existential crises once the truth of the world is revealed. They all concern themselves only with revenge and bringing back their loved ones. Even Verso, a copy of a dead man, is only troubled for having lived so long, having seen so many deaths, having killed so many innocents. "I don't want this life" is an affirmation that he does have a life. What is on Verso's tombstone? Forever painted in our hearts. There is no distinction.
What it is about is endless cycles of grief. Verso burned alive to save Alicia, causing Aline to live in his portrait to avoid letting him go. Renoir doesn't want to lose her too, so goes after her, destroying the only piece of Verso left in the process and forever alienating Alicia and Aline, while Clea fights some ambiguous war that will only bring more destruction to them. The real question is: how does one overcome tragedy? As Monoco, to carry pieces of the dead into the future changed but resembling? to lash out, as Francois yearns for Clea? to avenge brutishly, as Maelle for Gustave, Clea for Verso? to annihilate all remnants of the past, as Renoir for Verso?
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