How much do you guys think Dark-Tides Ost helped it's growth? I honestly feel like if not for the music this game would have been dusted shortly after release. It's one of the things that makes people remember it even existed during it's long draughts. Fat-Shark should be grateful that Jesper Kyd has done them such a service for both VT and DT
That guy just nails the Warhammer's soundscape. His take on Skaven is amazing
https://www.youtube.com/watch?v=1Zel1NCYPAA&list=RD1Zel1NCYPAA&start_radio=1
And so is his take on 40K It's a great mix of electronic and Pipe-organs, they really do mesh well together. Mechanicus really deservesan honorable mention as well
https://www.youtube.com/watch?v=KCR7ovEwtCA&list=RDKCR7ovEwtCA&start_radio=1
4chan Search
9 results for "e07b59563e1586cdee75eb37e3aadddf"
>>715725398
THE LEX IS THE LEX
THE LEX IS THE LEX
>>96097081
It's not going to happen. There's no money in cucking to left wing pigs and GW knows this.
It's not going to happen. There's no money in cucking to left wing pigs and GW knows this.
I didnt think he was going to be all that strong but he ended up being a real powerhouse just like every other character
>>529505876
THE LEGS IS THE LEGS
THE LEGS IS THE LEGS
>>95924037
Warhammer is the 80s. It's the product of the exact instant when society ran off the cliff of authenticity, and began its sharp, radical decline into post-authentic irony. It's the Wile-E-Coyote shaped cloud of the late 80s that remained in place while everything plummeted downwards through the 90s and the 2000s into today.
To understand Warhammer 40k, you must understand that it is simultaneously ironic and unironic. It is simultaneously satire, and heartfelt exultation. It is simultaneously ridiculous and serious. Its beauty is that it is all things to all people, it contains ridiculous things, but it also contains shocking and beautiful depictions of humanity that cannot be ridiculed honestly. It is a cynical cashgrab, but written for by people who genuinely love it. It is retrograde and badly designed, but it is beloved and played by millions.
To put it a more simple way, 40k is not so much a discrete thing or collection of things, but a place, or a direction, which things may fall into, but may never supplant.
Warhammer is the 80s. It's the product of the exact instant when society ran off the cliff of authenticity, and began its sharp, radical decline into post-authentic irony. It's the Wile-E-Coyote shaped cloud of the late 80s that remained in place while everything plummeted downwards through the 90s and the 2000s into today.
To understand Warhammer 40k, you must understand that it is simultaneously ironic and unironic. It is simultaneously satire, and heartfelt exultation. It is simultaneously ridiculous and serious. Its beauty is that it is all things to all people, it contains ridiculous things, but it also contains shocking and beautiful depictions of humanity that cannot be ridiculed honestly. It is a cynical cashgrab, but written for by people who genuinely love it. It is retrograde and badly designed, but it is beloved and played by millions.
To put it a more simple way, 40k is not so much a discrete thing or collection of things, but a place, or a direction, which things may fall into, but may never supplant.